Imagine a strong, lovely character
standing on top of a hill, bathed in sunlight, an intriguing plot
blossoming from beautiful descriptive words all around her. When I
opened my Kindle to the first page of Kathleen Brooks' Bluegrass State of Mind, I thought I might have finally found a Contemporary
Romance to hold my attention. A thrilling prologue leads into a
vision of our protagonist, McKenna Mason, running from and for her
life on the open roads of Kentucky. She's searching for a childhood
love, a Mr. Will Ashton, sexy owner of Ashton Farm and Boots, his
prized race horse.
Upon meeting Will, I was smitten. He
was charming, sweet, and arrogant in all the right places, with just
a touch of insecurity mixed in. We also meet Will's wonderful
parents, Paige Davies, a sheik named Mo, and a host of other
townsfolk, including the hysterical Rose sisters, who try in equal
parts to wheedle romantic gossip out of Kenna and prevent her from
having any at all to tell. We then meet Whitney, as she pushes Kenna
and that promising plot down a slippery slope into mediocrity.
There were several moments where I
thought the story could have been saved, but Kenna continued to trip
over meddling characters and her own obtuse deductions. For something
that started out thrilling and mysterious, I soon became frustrated I
had figured out what was going to happen before the characters ever
suspected. I couldn't even fall back on the adorable country
romance—Will, who I hoped would ride in on his Ford truck and save
the day, was stashed away for safekeeping, only to be brought out
again when Brooks was ready for for the misunderstandings to be
resolved. And then BAM, relationship. There was no getting to know
him past his introduction; readers are expected to fall in love with
him through quick sentences and time lapses.
I wish I could say the lackluster
romance and predictable plot were the only areas in which Bluegrass
State of Mind fell short, but as the story evolved, the writing did
the opposite. I could hardly believe a slapstick scene of fake crying
and bursts of laughter came from the same author that wrote
porch-sweeping old women and a cute, cocky reunion. Multiple typos
and Brooks' incessant need to explain the most obvious or unrealistic
scenarios made for a grimace-filled finish. Or as much of a finish as
cliffhangers will allow.
I won't say this book is completely
terrible, though. Southern charm is abundant through it's pages, and
Kenna is for the most part a strong leading lady. She's feminine but
tough, and fits right in with Kentucky society. The preaching that
good manners weren't sexist got tiresome, but I adored the fact Kenna
wasn't offended by good Southern hospitality. It was a nice change
from so many books preaching independence against men opening doors.
After predicting everything that would
happen in Book One, I can't imagine the next two telling me anything
I don't already know, so I'm unlikely to pick them up. However, I
can't regret reading Bluegrass State of Mind. It did not live up to
my expectations and it disappointed more than it entertained, but a
majority of the characters were rich and the relationships they
formed were true. If nothing else, they were well worth my time.
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